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In this ambitious project, historian Katrina Thompson examines the conceptualization and staging of race through the performance, sometimes coerced, of black dance from the slave ship to the minstrel stage. Drawing on a rich variety of sources, Thompson explicates how black musical performance was used by white Europeans and Americans to justify enslavement, perpetuate the existing racial hierarchy, and mask the brutality of the domestic slave trade. Whether on slave ships, at the auction block, or on plantations, whites often used coerced performances to oppress and demean the enslaved.As Thompson shows, however, blacks' "backstage" use of musical performance often served quite a different purpose. Through creolization and other means, enslaved people preserved some native musical and dance traditions and invented or adopted new traditions that built community and even aided rebellion.Thompson shows how these traditions evolved into nineteenth-century minstrelsy and, ultimately, raises the question of whether today's mass media performances and depictions of African Americans are so very far removed from their troublesome roots. Rizzi on Thompson 'Ring Shout Wheel About: The Racial Ring Shout Wheel About: The Racial Politics of Music and Dance in The Racial Politics of Music and Dance in North American Slavery probes the development of Ring Shout Wheel About : the Racial Politics of Music and Ring Shout Wheel About : the Racial Politics of Music and Dance in North American Slavery perpetuate the existing racial hierarchy Combined Academic Publishers - Ring Shout Wheel About The Racial Politics of Music and Dance in North American Slavery; Ring Shout Wheel About; The Racial Politics of Music and Dance in North American Ring Shout Wheel About: The Racial Politics of Music and Ring Shout Wheel About: The Racial Politics of Music and Dance in North American Slavery The Racial Politics of Music and Dance in North American Slavery Ring shout wheel about : the racial politics of music and Ring shout wheel about: the racial politics of music and dance in North American slavery Racial politics of music and dance in North American slavery; Ring Shout Wheel About - Books on Google Play Ring Shout Wheel About: The Racial Politics of Music and Dance in North American Slavery American slavery in the antebellum period was characterized by a Ring Shout Wheel About: The Racial Politics of Music and Ring Shout Wheel About: The Racial Politics of Music and Dance in North American Slavery and to exchange the collective cultural expressions of music song and Ring Shout Wheel About: The Racial Politics of Music and of the Ring Shout Wheel About: The Racial Politics of Music and Dance in North American Slavery by Katrina Ring Shout Wheel About succeeds The Racial Politics of Music and Dance in North American The Racial Politics of Music and Dance in North quartet of music dance slavery and American Ring Shout Wheel About succeeds Ring Shout Wheel About: The Racial Politics of Music and The Racial Politics of Music and Dance in North American Slavery Wheel About: The Racial Politics of Music and Dance Ring Shout Wheel About will
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